A friend, after seeing one of my wax crayon drawings based on the Holocaust asked, “why do you make drawings about the Holocaust?”
I was surprised. My friend is knows the historical, philosophical and moral importance of the Holocaust. She is also knows that the Holocaust holds a personal significance for me; that the members of my family that remained in Poland and Greece were probably exterminated, and with their deaths disappeared my connection to my family’s past. Why ask a question with so obvious an answer?
I realized that I was being asked to explain why I chose the Holocaust as a subject of my art. My answer required that I recall the artistic challenges and social issues that moved me, twenty years ago, to begin this series, still ongoing, of more then thirty wax crayon and pen & ink drawings.
I explained to my friend that I was challenged by the problem of scale. How does one create an image that captures the enormity of the Nazi apparatus of death and destruction? In a work of art, can an image of one person or a group of people signify millions of victims?
A second challenge was discovering an expressive image that was neither stereotypical nor trite. There are many emotionally charged images associated with the Holocaust. I can see a few when I close my eyes. What image could I find that was unique and had a personal resonance? Additionally, the image had to have an objective basis, and be a reflection of reality, containing references, information and connections to the actual destructive process. I didn't want abstractions. I wanted essences without being pedantic.
First, I chose my medium, wax crayons, whose viscous texture soft and oily like fat and flesh. Wax crayons allow a thick surface to be built-up which can be cut or carved by a sharp pointed instrument. In this way a multiple of levels of line and imagery to be constructed, one on top of another, as if seen through a glass darkly.