• Home
  • About
  • Shop (GFP)
  • Sephardic Music
  • Paintings
  • Books
    • Artist Books
    • Small Books
    • Traces of Sepharad
  • Works on Paper
    • Prints
    • Drawings
    • Collages
  • Blog
  • Contact
  • Menu

Marc Shanker

Gravity Free Press
  • Home
  • About
  • Shop (GFP)
  • Sephardic Music
  • Paintings
  • Books
    • Artist Books
    • Small Books
    • Traces of Sepharad
  • Works on Paper
    • Prints
    • Drawings
    • Collages
  • Blog
  • Contact
MoMA Café.

MoMA Café.

SUCCESS IS A MOMA PANINI

December 23, 2015

A few months ago, I went to MOMA to see my favorite paintings, and to eat lunch in the second floor cafeteria. Before being seated, I am always asked if I prefer a stool in the back, near the windows, or a chair next to a table. I take the table and chair.

I don’t mind not being able to see out a window because I’d rather watch the comings and goings of the diners. The cafeteria hosts a  lot of out-of-towners, foreigners, and a third group, museum regulars, who don’t need menus. They generally order the same lunch over and over again. 

Count me in this last group. I always order the prosciutto panini and coffee (which comes with limitless refills). My order never changes but the panini has. Back when, say ten years ago, it was a whole slice of bread including the crust. Then, about four years ago,  the panini lost its crust. Losing its perimeter made it smaller and less sandwichlike. 

Then, last year, the restaurant cutback on the size of the bread slice, and to confuse matters even more, dropped  the word “prosciutto” from the menu. Now it is called “panini with ham.” The good news is that it tastes just about the same.

Being easily offended, I considered making a fuss. Fortunately, I was able to avoid a nasty confrontation when the restaurant manager, newly hired, asked me if I was happy with my lunch. Seizing the opportunity, I recited the unhappy story of the diminishing panini, and advised  him that regular customers would see the new panini, at its slightly higher price, as a rip-off. I politely suggested that he increase the size of the bread slice, and add back the crust. 

The manager listened very attentively. He seemed surprised that anyone could remember back so far into “panini history.” Ten years, for a twenty-something year old, is almost half a lifetime.

Dining again a month later, I was surprised  to see that the panini had grown in area. The crust was still absent but the bread slice had a greater girth. I concluded that my insistence had made an impression on the young manager, and had altered the cafeteria’s food policy. 

After a lifetime of struggle making art, I can say that success, recognition by MOMA, tastes a lot like a prosciutto panini.

 

Tags: MOMA, Artistic Success, creative process
Prev / Next
Featured
IMG_2903.jpg
August 13, 2024
Please Explain this Painting
August 13, 2024
August 13, 2024
IMG_2376 2.jpg
December 30, 2023
Some Thoughts at Seventy-seven
December 30, 2023
December 30, 2023
unknown.jpg
June 17, 2023
Repainting a Finished Painting
June 17, 2023
June 17, 2023
April 9, 2023
MY VISIT WITH JUAN DE PAREJA
April 9, 2023
April 9, 2023
unnamed-4.jpg
April 2, 2023
Postcard Art.
April 2, 2023
April 2, 2023
King Ubu. Gouache, Tempera on Arches Watercolor Paper. 24” x 18.” 2023.
March 19, 2023
Am I or Am I Not? Inside & Outside The Outsider Art Fair
March 19, 2023
March 19, 2023
unnamed.jpg
February 25, 2023
Hoarding Art Supplies
February 25, 2023
February 25, 2023
IMG_1709.JPEG
February 11, 2023
When Is It Time to Quit?
February 11, 2023
February 11, 2023
IMG_1624.jpg
January 4, 2023
At 76, An Artist Reflects
January 4, 2023
January 4, 2023
INTRODUCTION TO "IMAGINING THE ARTIST BOOK"
October 10, 2022
INTRODUCTION TO "IMAGINING THE ARTIST BOOK"
October 10, 2022
October 10, 2022
TAKING DOWN MY SHOW
February 6, 2022
TAKING DOWN MY SHOW
February 6, 2022
February 6, 2022
At 75: An Artist Appraisal
December 31, 2021
At 75: An Artist Appraisal
December 31, 2021
December 31, 2021
IMG_6896.JPG
August 8, 2021
Why am I still painting Still Lifes?
August 8, 2021
August 8, 2021
_DSC1390.jpeg
July 16, 2021
PAINTING FRUSTRATION
July 16, 2021
July 16, 2021
fullsizeoutput_c0e.jpg
May 26, 2019
AN ARTIST STATEMENT: SUMMER 2019
May 26, 2019
May 26, 2019
HOW TO START A PAINTING
September 12, 2018
HOW TO START A PAINTING
September 12, 2018
September 12, 2018
IMG_6266.jpg
May 3, 2018
FIFTY YEARS DRAWING TREES
May 3, 2018
May 3, 2018
image.jpg
January 20, 2017
LUNA PARK SERIES: PAINTINGS, DRAWINGS AND PRINTS
January 20, 2017
January 20, 2017
January 4, 2017
WHAT IS STYLE?
January 4, 2017
January 4, 2017
THE CIRCLE IN MY ARTWORK (PART I)
October 26, 2016
THE CIRCLE IN MY ARTWORK (PART I)
October 26, 2016
October 26, 2016
P1010646.jpg
September 29, 2016
THE PROBLEM OF SIGNING A PAINTING
September 29, 2016
September 29, 2016
August 5, 2016
McKee Gallery Closes Citing Changing Art Market - art Forum
August 5, 2016
August 5, 2016
June 14, 2016
OLD & NEW: DEFINING AN ARTIST'S PERSONALITY
June 14, 2016
June 14, 2016
Alone.+Drypoint.jpg
April 17, 2016
LOST IN THE WOODS-- AUTHOR JIM HARRISON
April 17, 2016
April 17, 2016
Pablo Picasso: Mother and Dead Child, Sketch for Guernica, 1937.
March 13, 2016
ART THAT RATTLES
March 13, 2016
March 13, 2016
images.jpeg
February 24, 2016
Collaging Guston & Dubuffet
February 24, 2016
February 24, 2016
WORKING IN SERIES I
February 17, 2016
WORKING IN SERIES I
February 17, 2016
February 17, 2016
WORKING IN SERIES II
February 17, 2016
WORKING IN SERIES II
February 17, 2016
February 17, 2016
CHATTING WITH IMAGES
January 25, 2016
CHATTING WITH IMAGES
January 25, 2016
January 25, 2016
January 17, 2016
DRAWING THE HOLOCAUST
January 17, 2016
January 17, 2016